Random Discounted Bundle…

Inspired by actual cartographic materials from the 1600s, 1700s, and 1800s, the seven typefaces in our popular Old Map Fonts Collection™ give you all you need to simulate maps and charts from days gone by. Each hand-drawn alphabet has its own distinctive character, and all seven typefaces (ten fonts total) feature period map ornaments. This bundle saves you 45% off the price of licensing these fonts separately. View Details »

Random Historical Pen…

Botanical Scribe™ was inspired by the fine, hand-inscribed legends on the early-19th-century floral etchings of Belgian painter Pierre-Joseph Redouté. Because of its slight organic imperfections, it has a warm, accessible feel while remaining elegant enough for formal invitations and the like. Try it out here »

Random Book Text…

New Millennium™ is a masterful modern typeface. Its look is both frank and stylish, and its feel is clean and clear. It’s also something of a novelty, in that its five styles include both serifs and sans-serifs: its Regular and Italic are flat-serifed fonts, yet their bold counterparts are sans (identical to those of New Millennium Sans). Add to these a heavy Headline serif, and you’ve got a true multi-purpose type tool. Try it out here »

Random Old Map Font…

Antiquarian™ evokes the rugged hand-lettered legends on 300-year old maps—specifically the illustrations in Henri Abraham Chatelain’s Atlas Historique, published in Amsterdam in the early 1700s. The font features true small capitals, alternate uppercases, scores of ligatures, a series of period cartographic ornaments, and support for Greek and Latin alphabets—more than 1,000 glyphs in all. Try it out here »

Random Display Face…

The inspiration for Lars Bergquist’s Corsiva Italica™ is the classical cancellaresca corsiva of the 1500s (known in England at the time as “the Italian hand”)—e.g., the work of Italian calligrapher Giambattista Palatino. A specialty font perfect for lending designs a fine, historical, hand-lettered look—or even things like scripture, framed poetry, or Christmas cards. Try it out here »

Random Modern Handwritten Font…

Marydale™ has three weights, Regular, Bold, and Black. It also has a particularly personable nature, rather like a chatty best friend. Better yet, it has a set of powerful OpenType features—true small capitals, dozens of ligatures, a less quirky stylistic set, and support for Latin, Greek, and Cyrillic languages. Among our most popular typefaces, and a member of our Modern Handwritten Fonts Collection. Try it out here »

Random Antique Text Font…

A personal favorite among the text fonts I’ve designed, Bonsai™ is, well, top-heavy. But it’s this very top-heaviness—as if printed with worn or off-center lead type— that gives it a peculiar allure. It’s soft, warm, friendly, legible, accessible. Its roman and true italic styles have plenty of OpenType features, true small capitals, and Latin Plus support. (Note its use in the heads on this website!) Try it out here »

Random Offbeat Font…

Chromosome™ pretty much exactly replicates the look you get on 1960’s-era labelmaker labels. The font has four styles: Light, Heavy, Reversed Light, and Reversed Heavy. (The latter two knock the text out of whatever color label you specify.) It’s got only uppercase characters, but it does offer support for Central and Eastern European languages. A member of our Offbeat Grab Bag bundle. Try it out here »