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“Your period-style handwriting fonts remain the very best I've ever found. Thanks for your most excellent contributions to American typography!”
—A.L., Los Angeles CA
“Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow.”
—A.T., Ontario, Canada
“Thanks so much for the great service and wonderful typefaces!”
—S.F., Evanston IL
“There's a fair number of what I call 'scrawl' faces out there. [Treefrog] is one of the very few I really like.”
—P.M., Palatine IL
“Oh! I'm in loooove with [Lamar Pen]! It's lovely, it's organic, it's real, it's got history & tradition. My designs are singing!”
—C.C., Palo Alto CA
“Keep up the fonts! They are some of the best I have seen in 10-plus years of design.”
—M.O., Little Rock AR
“All [these] typefaces are wonderful, romantic creative fonts which no serious designer could possibly overlook.
—G.H., London, England
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It all began with a bit of hand-printing I noticed on the dinner menu at a local restaurant. I took a menu home for future reference. Several months later, some similar hand-lettering on another dinner menu caught my eye. I became a sort of connoisseur of menu lettering. After tweaking and adjusting a few of these menu-inspired (uppercase) characters, I placed them in an online Type in Progress survey. They won. So I finished the caps, drew out the lower cases from scratch, created a range of weights and oblique styles. The result: Pumpkinseed, a full-featured, eight-style casual handlettering face. The 
