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 Historical Pens »

Abigail Adams

American Scribe

Austin Pen

Bonhomme Richard

Botanical Scribe

Douglass Pen

Emily Austin

Geographica Script

Houston Pen

Lamar Pen

Military Scribe

Old Man Eloquent

Remsen Script

Schooner Script

Texas Hero

 Modern Hands »

Cedar Street

Marydale

Oak Street

Professor

Pumpkinseed

Viktorie

 Book Texts »

Diorite

Eleonora

Geographica

New Millennium

New Millennium Linear

New Millennium Sans

Pressroom

Sarabande

TWT Pavane

TWT Prospero

 Old Map Fonts »

Antiquarian

Antiquarian Scribe

Bonnycastle

Geographica

Geographica Hand

Geographica Script

Terra Ignota

 Antique Texts »

Attic Antique

Bonsai

Broadsheet

Castine

 Display Faces »

Bonnycastle

Bucintoro

Corsiva Italica

Midnight

Paestum

Sekhmet

 Drop Caps »

Baskerville Caps

Rococo Titling

 Offbeat »

Chromosome

Speed Bump

Treefrog

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Castine Font

About Us

3IP Type Foundry  is a division of Three Islands Press (3IP), a small digital publishing company in Salt Lake City, Utah. Our specialties are historical replications, fine text type, old map fonts, replications of vintage and modern handwriting, and a few offbeat/display creations.

Brian WillsonBrian Willson grew up in Austin, Texas, in the 1950s and ’60s. He bounced around the Austin music scene a while before snagging a Radio/TV/Film degree from The University of Texas in 1979. The next year he became a father and promptly high-tailed it with his little family to coastal Maine, where he worked as a broadcast and print journalist for many years.

Willson founded Three Islands Press in 1989 to self-publish a book of pretentious nature essays. Soon after, he found himself tinkering with type design, and 3IP has since become known for its library of real-looking handwriting fonts—most of them modeled after historical penmanship—and antique text replications.

In the summer of 2019, Willson moved with Captain Jack, his Australian Cattle Dog mix, to Salt Lake City, where they hiked the mule deer trails in the amazing Wasatch foothills for a time. In 2022, missing water, they returned to Maine, where they enjoy greener hikes. Willson is an avid birder and amateur bird photographer. And for the past several years, he’s been dabbling in long fiction.

View fonts by Brian Willson »

Lars BergquistSwedish type designer Lars Bergquist described himself as “a living fossil from the age of lead type.” He was born in 1936 and trained originally as a historian but left university life and went into publishing—of encyclopedias and reference literature—learning that side of typography from the bottom up. The bottom line being Linotype machines, smelling of hot lead and oil, and flatbed presses behaving like “demented mangles.” He used to say that he was a typographer who had gone all the way from cuneiform to digital.

Bergquist became a type designer at a late stage; because of his background in history, he specialized in text type with historical roots and even flirted with blackletter, building a second career under his proprietary Timberwolf Type brand. Two things put an end to this: medical problems leading to some close encounters with “sawbones of a specialist kind,” and the discovery that he’d produced so many fonts for different foundries that he was actually competing with himself.

After his Timberwolf Type operation wound down, he reverted to the study of history, “in rocking-chair mode”, and old hobbies like epistemology, photography—and type-watching. His typefaces, of course, still have a life of their own.

View fonts by Lars Bergquist »

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fonts@3ip.com

Historical Script and Text Fonts
Historical Fonts
RANDOM SIGHTING:
Castine

KIND WORDS:

“Not only is Texas Hero a uniquely beautiful font, there’s also the matter of Texas pride.”
—S.P.G., San Antonio TX

“I think [Texas Hero] is amazing. It is incredibly beautiful and in my opinion looks very authentic.”
—E.H., Brookline MA

“There's a fair number of what I call 'scrawl' faces out there. [Treefrog] is one of the very few I really like.”
—P.M., Palatine IL

“Your period-style handwriting fonts remain the very best I've ever found. Thanks for your most excellent contributions to American typography!”
—A.L., Los Angeles CA

“This is a fantastic resource and the fonts are beautiful!”
—C.B., Bethesda MD

“Oh! I'm in loooove with [Lamar Pen]! It's lovely, it's organic, it's real, it's got history & tradition. My designs are singing!”
—C.C., Palo Alto CA

Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow.”
—A.T., Ontario, Canada

 

3IP Type Foundry