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 Historical Pens »

Abigail Adams

American Scribe

Austin Pen

Bonhomme Richard

Botanical Scribe

Douglass Pen

Emily Austin

Geographica Script

Houston Pen

Lamar Pen

Military Scribe

Old Man Eloquent

Remsen Script

Schooner Script

Texas Hero

 Modern Hands »

Cedar Street

Marydale

Oak Street

Professor

Pumpkinseed

Viktorie

 Book Texts »

Diorite

Eleonora

Geographica

New Millennium

New Millennium Linear

New Millennium Sans

Pressroom

Sarabande

TWT Pavane

TWT Prospero

 Old Map Fonts »

Antiquarian

Antiquarian Scribe

Bonnycastle

Geographica

Geographica Hand

Geographica Script

Terra Ignota

 Antique Texts »

Attic Antique

Bonsai

Broadsheet

Castine

 Display Faces »

Bonnycastle

Bucintoro

Corsiva Italica

Midnight

Paestum

Sekhmet

 Drop Caps »

Baskerville Caps

Rococo Titling

 Offbeat »

Chromosome

Speed Bump

Treefrog

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We’re always excited to see examples of how our fonts are being used “in the wild.” (If you happen to have made a sighting of your own, please let us know!)

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A menu display outside Iron Gate Restaurant in Washington, D.C.

A menu display outside Iron Gate Restaurant in Washington, D.C:  Lamar Pen »

3IP Type Sightings
Credit: Iron Gate »
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3IP Type Sightings

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Historical Script and Text Fonts
Historical Fonts
RANDOM SIGHTING:
Attic Antique

KIND WORDS:

“Keep up the fonts! They are some of the best I have seen in 10-plus years of design.”
—M.O., Little Rock AR

“I've never seen anyone digitize old quill-pen handwriting [like Schooner Script], warts and all. You've done a fine job.”
—R.W., Costa Mesa CA

“There's a fair number of what I call 'scrawl' faces out there. [Treefrog] is one of the very few I really like.”
—P.M., Palatine IL

“I must say [Texas Hero] is one of the most beautiful fonts I’ve ever seen.”
—J.C., Mount Holly NC

“This is a fantastic resource and the fonts are beautiful!”
—C.B., Bethesda MD

“All [these] typefaces are wonderful, romantic creative fonts which no serious designer could possibly overlook.”
—G.H., London, England

“The Lamar Pen font is divine. We are using it on a novel set in the eighteenth century, and the author is ecstatic.”
—J.H., London, England

 

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