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OldFonts Historical Library™ $399* |
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Copyright: ©1994–2018 by Three Islands Press
Designer: Brian Willson
Includes 24 typefaces: Abigail Adams ($39), American Scribe ($39), Antiquarian ($39), Antiquarian Scribe ($39), Attic Antique Family ($49), Austin Pen Family ($49), Bonnycastle ($39), Bonsai Family ($49), Botanical Scribe ($39), Broadsheet Family ($49), Castine Family ($49), Douglass Pen ($39), Emily Austin ($39), Geographica Family ($99), Geographica Hand ($39), Geographica Script ($39), Houston Pen ($39), Lamar Pen ($39), Military Scribe ($39), Old Man Eloquent Family ($49), Remsen Script ($39), Schooner Script ($39), Terra Ignota ($39), Texas Hero ($39)
*A savings of $657 |
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 Our OldFonts Historical Library comprises two dozen typefaces modeled after genuine source materials from the 17th through 19th centuries. Includes our Old Map Fonts, Antique Texts, and Historical Pens collections—a total of twenty-four period typefaces (thirty-three fonts total) that’ll add a touch of bygone days to your digital designs. Popular with historical societies, film and TV property departments, genealogists, and historical reenactors, these fonts all come with extensive character sets and plenty of OpenType features, including standard and discretionary ligatures, contextual forms, alternate glyphs, full Latin support—even a surprise or two. US$399.
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To order the OldFonts Historical Library, choose a license and “Add” to your shopping cart. |
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💻 Desktop License—a standard license for creating personal/commercial art, documents, and graphics.
🌐 Web License—permitting installation on a server for embedding fonts via CSS in website designs. |
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RANDOM SIGHTING: |
KIND WORDS: |
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“Not only is Texas Hero a uniquely beautiful font, there’s also the matter of Texas pride.”
—S.P.G., San Antonio TX
“The Texas Hero font is fantastic and just what I have been looking for.”
—D.M., Mahwah NJ
“[American Scribe] may be the greatest font ever! Everyone on the planet should have it!”
—M.P., Boulder CO
“All [these] typefaces are wonderful, romantic creative fonts which no serious designer could possibly overlook.”
—G.H., London, England
“There's a fair number of what I call 'scrawl' faces out there. [Treefrog] is one of the very few I really like.”
—P.M., Palatine IL
“Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow.”
—A.T., Ontario, Canada
“The Lamar Pen font is divine. We are using it on a novel set in the eighteenth century, and the author is ecstatic.”
—J.H., London, England
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