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“Well done on preserving the old ways of writing—they wrote and spoke so much nicer than we do now.”
—A.K., Adelaide, S. Australia
“I happened across your website completely by accident, and I was astounded by the fonts I found there. They are amazing.”
—M.S., Ontario, Canada
“This is a fantastic resource and the fonts are beautiful!”
—C.B., Bethesda MD
“Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow.”
—A.T., Ontario, Canada
“I'm always on the lookout for handwriting fonts that look more like handwriting than fonts. I've always relied on Texas Hero, Schooner Script, and Emily Austin and was very happy to see Lamar Pen and American Scribe.”
—A.L., Los Angeles CA
“[Douglass Pen is a] stupendous achievement!”
—A.B., Encino CA
“You have maintained a level of quality in the design of your various fonts that rivals the best foundries.”
—G.V., Salem OR
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I, uh, don’t know quite what to say. I’d toiled so long over a particularly painstaking typeface project that I guess I needed a good, wild ride to shake out the head cramps, or something. Whatever grabbed me, it forced me to sit down and create another face as fast as I could, directly in my main font-development application. Took less than two hours to finish the regular character set. No way to explain it, but the exercise actually paid off—I think. And now that there was Speed Bump, there simply had to be a companion dingbat set. The 
