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“I have never encountered such fine and detailed work in a handwritten font before. I heartily applaud your attention to detail and historical accuracy.”
—J.W., Seattle WA
“Your fonts are gorgeous, and in particular, your handwriting fonts are the best I've ever seen.”
—J.H., Witny, Oxfordshire, England
“Oh! I'm in loooove with [Lamar Pen]! It's lovely, it's organic, it's real, it's got history & tradition. My designs are singing!”
—C.C., Palo Alto CA
“[American Scribe] may be the greatest font ever! Everyone on the planet should have it!”
—M.P., Boulder CO
“The Lamar Pen font is divine. We are using it on a novel set in the eighteenth century, and the author is ecstatic.”
—J.H., London, England
“The Texas Hero font is fantastic and just what I have been looking for.”
—D.M., Mahwah NJ
“I'm always on the lookout for handwriting fonts that look more like handwriting than fonts. I've always relied on Texas Hero, Schooner Script, and Emily Austin and was very happy to see Lamar Pen and American Scribe.”
—A.L., Los Angeles CA
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I, uh, don’t know quite what to say. I’d toiled so long over a particularly painstaking typeface project that I guess I needed a good, wild ride to shake out the head cramps, or something. Whatever grabbed me, it forced me to sit down and create another face as fast as I could, directly in my main font-development application. Took less than two hours to finish the regular character set. No way to explain it, but the exercise actually paid off—I think. And now that there was Speed Bump, there simply had to be a companion dingbat set. The 
