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“[American Scribe] may be the greatest font ever! Everyone on the planet should have it!”
—M.P., Boulder CO
“Your period-style handwriting fonts remain the very best I've ever found. Thanks for your most excellent contributions to American typography!”
—A.L., Los Angeles CA
“This is a fantastic resource and the fonts are beautiful!”
—C.B., Bethesda MD
“[American Scribe] is the 3rd font I have ordered from this foundry! Love them. Thanks for the good and authentic work!”
—V.B., BC, Canada
“Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow.”
—A.T., Ontario, Canada
“I happened across your website completely by accident, and I was astounded by the fonts I found there. They are amazing.”
—M.S., Ontario, Canada
“The Lamar Pen font is divine. We are using it on a novel set in the eighteenth century, and the author is ecstatic.”
—J.H., London, England
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I, uh, don’t know quite what to say. I’d toiled so long over a particularly painstaking typeface project that I guess I needed a good, wild ride to shake out the head cramps, or something. Whatever grabbed me, it forced me to sit down and create another face as fast as I could, directly in my main font-development application. Took less than two hours to finish the regular character set. No way to explain it, but the exercise actually paid off—I think. And now that there was Speed Bump, there simply had to be a companion dingbat set. The 
