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“The Lamar Pen font is divine. We are using it on a novel set in the eighteenth century, and the author is ecstatic.”
—J.H., London, England
“You have maintained a level of quality in the design of your various fonts that rivals the best foundries.”
—G.V., Salem OR
“[American Scribe] is the 3rd font I have ordered from this foundry! Love them. Thanks for the good and authentic work!”
—V.B., BC, Canada
“Your period-style handwriting fonts remain the very best I've ever found. Thanks for your most excellent contributions to American typography!”
—A.L., Los Angeles CA
“Well done on preserving the old ways of writing—they wrote and spoke so much nicer than we do now.”
—A.K., Adelaide, S. Australia
“Oh! I'm in loooove with [Lamar Pen]! It's lovely, it's organic, it's real, it's got history & tradition. My designs are singing!”
—C.C., Palo Alto CA
“I took one look at American Scribe and knew it was the Declaration of Independence before reading the ad copy. You captured it perfectly.”
—B.P., Marietta OH
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I, uh, don’t know quite what to say. I’d toiled so long over a particularly painstaking typeface project that I guess I needed a good, wild ride to shake out the head cramps, or something. Whatever grabbed me, it forced me to sit down and create another face as fast as I could, directly in my main font-development application. Took less than two hours to finish the regular character set. No way to explain it, but the exercise actually paid off—I think. And now that there was Speed Bump, there simply had to be a companion dingbat set. The 
