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“Your period-style handwriting fonts remain the very best I've ever found. Thanks for your most excellent contributions to American typography!”
—A.L., Los Angeles CA
“You have maintained a level of quality in the design of your various fonts that rivals the best foundries.”
—G.V., Salem OR
“These are fantastic fonts, and I appreciate that your company offers a trial download (minus the "e") so I could sell these fonts to my client.
—L.A., Woodinville WA
“I took one look at American Scribe and knew it was the Declaration of Independence before reading the ad copy. You captured it perfectly.”
—B.P., Marietta OH
“All [these] typefaces are wonderful, romantic creative fonts which no serious designer could possibly overlook.
—G.H., London, England
“[Treefrog] is a real mess and breaks all the rules and I love it.”
—P.M., Palatine IL
“I'm always on the lookout for handwriting fonts that look more like handwriting than fonts. I've always relied on Texas Hero, Schooner Script, and Emily Austin and was very happy to see Lamar Pen and American Scribe.”
—A.L., Los Angeles CA
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It hit me one day that the ’60s-vintage labelmaker I found in the back of a drawer might make an interesting display face. I began playing around—squeezing out letters at various pressures, scanning the results, going over the scans in a vector-graphics app. Looked pretty good. To my chagrin, however, I soon after got a glimpse of someone else’s label-tape font. Though modeled after a more modern device, its rocketing popularity prompted me to set Chromosome aside for a year or so. Finally finished it up in late-1995. The full release has light and heavy weights, regular and reversed styles. US$39.
