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“Oh! I'm in loooove with [Lamar Pen]! It's lovely, it's organic, it's real, it's got history & tradition. My designs are singing!”
—C.C., Palo Alto CA
“I think [Texas Hero] is amazing. It is incredibly beautiful and in my opinion looks very authentic.”
—E.H., Brookline MA
“Our 3rd and 4th graders are thrilled that their historical writing is going to look so authentic!
—S.E., Charlottesville VA
“[Schooner Script is a] masterpiece.”
—A.D., Miami FL
“Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow.”
—A.T., Ontario, Canada
“[American Scribe] is the 3rd font I have ordered from this foundry! Love them. Thanks for the good and authentic work!”
—V.B., BC, Canada
“This is a fantastic resource and the fonts are beautiful!”
—C.B., Bethesda MD
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It hit me one day that the ’60s-vintage labelmaker I found in the back of a drawer might make an interesting display face. I began playing around—squeezing out letters at various pressures, scanning the results, going over the scans in a vector-graphics app. Looked pretty good. To my chagrin, however, I soon after got a glimpse of someone else’s label-tape font. Though modeled after a more modern device, its rocketing popularity prompted me to set Chromosome aside for a year or so. Finally finished it up in late-1995. The full release has light and heavy weights, regular and reversed styles. US$39.
