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“Your period-style handwriting fonts remain the very best I've ever found. Thanks for your most excellent contributions to American typography!”
—A.L., Los Angeles CA
“Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow.”
—A.T., Ontario, Canada
“This is a fantastic resource and the fonts are beautiful!”
—C.B., Bethesda MD
“The Lamar Pen font is divine. We are using it on a novel set in the eighteenth century, and the author is ecstatic.”
—J.H., London, England
“[Douglass Pen is a] stupendous achievement!”
—A.B., Encino CA
“[American Scribe] may be the greatest font ever! Everyone on the planet should have it!”
—M.P., Boulder CO
“Your fonts are gorgeous, and in particular, your handwriting fonts are the best I've ever seen.”
—J.H., Witny, Oxfordshire, England
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It hit me one day that the ’60s-vintage labelmaker I found in the back of a drawer might make an interesting display face. I began playing around—squeezing out letters at various pressures, scanning the results, going over the scans in a vector-graphics app. Looked pretty good. To my chagrin, however, I soon after got a glimpse of someone else’s label-tape font. Though modeled after a more modern device, its rocketing popularity prompted me to set Chromosome aside for a year or so. Finally finished it up in late-1995. The full release has light and heavy weights, regular and reversed styles. US$39.
