|
|
 |
 Pressroom™ ($99)
Copyright: ©2003 by Timberwolf Type
Designer: Lars Bergquist
Includes: Pressroom Regular ($24), Pressroom Italic ($24), Pressroom Bold ($24), Pressroom Bold Italic ($24), Pressroom Black ($24)
Package: TWT Library |
View similar fonts |
 |
|
Styles: Regular  | Italic | Bold | Bold Italic | Black |
|
|
|
(To view full character sets, visit individual styles above—or click .) |
|
 |
|
 Pressroom is a modern “legibility face,” designed to be easy-to-read under even the harshest conditions. As you might expect of such a typeface, it’s got an ample x-height, robust serifs, and minimalist descenders—but Pressroom displays more grace and allure than most families of this kind. (Still, despite its relative beauty, its designer describes Pressroom as having “the sophistication of a crocodile.”) Pressroom has regular, italic, bold, and bold italic styles—along with a special black weight intended for headlines, callouts, and other display uses. Numerals are semi-cap in all but the black, where they are fully lining. Would work well in newsletters, flyers, office forms, or even periodicals. US$99.
|
|
|
|
|
|
RANDOM SIGHTING: |
KIND WORDS: |
|
“I'm always on the lookout for handwriting fonts that look more like handwriting than fonts. I've always relied on Texas Hero, Schooner Script, and Emily Austin and was very happy to see Lamar Pen and American Scribe.”
—A.L., Los Angeles CA
“The Texas Hero font is fantastic and just what I have been looking for.”
—D.M., Mahwah NJ
“This is a fantastic resource and the fonts are beautiful!”
—C.B., Bethesda MD
“All [these] typefaces are wonderful, romantic creative fonts which no serious designer could possibly overlook.”
—G.H., London, England
“There's a fair number of what I call 'scrawl' faces out there. [Treefrog] is one of the very few I really like.”
—P.M., Palatine IL
“I took one look at American Scribe and knew it was the Declaration of Independence before reading the ad copy. You captured it perfectly.”
—B.P., Marietta OH
“The Lamar Pen font is divine. We are using it on a novel set in the eighteenth century, and the author is ecstatic.”
—J.H., London, England
|
|
|
|
