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“Well done on preserving the old ways of writing—they wrote and spoke so much nicer than we do now.”
—A.K., Adelaide, S. Australia
“Our 3rd and 4th graders are thrilled that their historical writing is going to look so authentic!
—S.E., Charlottesville VA
“Your period-style handwriting fonts remain the very best I've ever found. Thanks for your most excellent contributions to American typography!”
—A.L., Los Angeles CA
“All [these] typefaces are wonderful, romantic creative fonts which no serious designer could possibly overlook.”
—G.H., London, England
“Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow.”
—A.T., Ontario, Canada
“I think [Texas Hero] is amazing. It is incredibly beautiful and in my opinion looks very authentic.”
—E.H., Brookline MA
“The fonts you offer are quite unique and beautifully done.... Your site and ecommerce process was also a pleasure to view and to use.”
—R.M., Newbury NH
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I, uh, don’t know quite what to say. I’d toiled so long over a particularly painstaking typeface project that I guess I needed a good, wild ride to shake out the head cramps, or something. Whatever grabbed me, it forced me to sit down and create another face as fast as I could, directly in my main font-development application. Took less than two hours to finish the regular character set. No way to explain it, but the exercise actually paid off—I think. And now that there was Speed Bump, there simply had to be a companion dingbat set. The 
