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“I'm always on the lookout for handwriting fonts that look more like handwriting than fonts. I've always relied on Texas Hero, Schooner Script, and Emily Austin and was very happy to see Lamar Pen and American Scribe.”
—A.L., Los Angeles CA
“Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow.”
—A.T., Ontario, Canada
“The Texas Hero font is fantastic and just what I have been looking for.”
—D.M., Mahwah NJ
“[American Scribe] is the 3rd font I have ordered from this foundry! Love them. Thanks for the good and authentic work!”
—V.B., BC, Canada
“Keep up the fonts! They are some of the best I have seen in 10-plus years of design.”
—M.O., Little Rock AR
“Thanks so much for the great service and wonderful typefaces!”
—S.F., Evanston IL
“Your period-style handwriting fonts remain the very best I've ever found. Thanks for your most excellent contributions to American typography!”
—A.L., Los Angeles CA
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I, uh, don’t know quite what to say. I’d toiled so long over a particularly painstaking typeface project that I guess I needed a good, wild ride to shake out the head cramps, or something. Whatever grabbed me, it forced me to sit down and create another face as fast as I could, directly in my main font-development application. Took less than two hours to finish the regular character set. No way to explain it, but the exercise actually paid off—I think. And now that there was Speed Bump, there simply had to be a companion dingbat set. The 
