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“This is a fantastic resource and the fonts are beautiful!”
—C.B., Bethesda MD
“[Treefrog] is a real mess and breaks all the rules and I love it.”
—P.M., Palatine IL
“Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow.”
—A.T., Ontario, Canada
“I have never encountered such fine and detailed work in a handwritten font before. I heartily applaud your attention to detail and historical accuracy.”
—J.W., Seattle WA
“Our 3rd and 4th graders are thrilled that their historical writing is going to look so authentic!
—S.E., Charlottesville VA
“I've never seen anyone digitize old quill-pen handwriting [like Schooner Script], warts and all. You've done a fine job.”
—R.W., Costa Mesa CA
“Your period-style handwriting fonts remain the very best I've ever found. Thanks for your most excellent contributions to American typography!”
—A.L., Los Angeles CA
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I, uh, don’t know quite what to say. I’d toiled so long over a particularly painstaking typeface project that I guess I needed a good, wild ride to shake out the head cramps, or something. Whatever grabbed me, it forced me to sit down and create another face as fast as I could, directly in my main font-development application. Took less than two hours to finish the regular character set. No way to explain it, but the exercise actually paid off—I think. And now that there was Speed Bump, there simply had to be a companion dingbat set. The 
