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“Your fonts are gorgeous, and in particular, your handwriting fonts are the best I've ever seen.”
—J.H., Witny, Oxfordshire, England
“I have never encountered such fine and detailed work in a handwritten font before. I heartily applaud your attention to detail and historical accuracy.”
—J.W., Seattle WA
“The Lamar Pen font is divine. We are using it on a novel set in the eighteenth century, and the author is ecstatic.”
—J.H., London, England
“Your period-style handwriting fonts remain the very best I've ever found. Thanks for your most excellent contributions to American typography!”
—A.L., Los Angeles CA
“You have maintained a level of quality in the design of your various fonts that rivals the best foundries.”
—G.V., Salem OR
“[Schooner Script is a] masterpiece.”
—A.D., Miami FL
“[American Scribe] may be the greatest font ever! Everyone on the planet should have it!”
—M.P., Boulder CO
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I, uh, don’t know quite what to say. I’d toiled so long over a particularly painstaking typeface project that I guess I needed a good, wild ride to shake out the head cramps, or something. Whatever grabbed me, it forced me to sit down and create another face as fast as I could, directly in my main font-development application. Took less than two hours to finish the regular character set. No way to explain it, but the exercise actually paid off—I think. And now that there was Speed Bump, there simply had to be a companion dingbat set. The 
