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“Our 3rd and 4th graders are thrilled that their historical writing is going to look so authentic!
—S.E., Charlottesville VA
“Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow.”
—A.T., Ontario, Canada
“The Lamar Pen font is divine. We are using it on a novel set in the eighteenth century, and the author is ecstatic.”
—J.H., London, England
“[American Scribe] may be the greatest font ever! Everyone on the planet should have it!”
—M.P., Boulder CO
“Not only is Texas Hero a uniquely beautiful font, there’s also the matter of Texas pride.”
—S.P.G., San Antonio TX
“Well done on preserving the old ways of writing—they wrote and spoke so much nicer than we do now.”
—A.K., Adelaide, S. Australia
“I'm always on the lookout for handwriting fonts that look more like handwriting than fonts. I've always relied on Texas Hero, Schooner Script, and Emily Austin and was very happy to see Lamar Pen and American Scribe.”
—A.L., Los Angeles CA
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I, uh, don’t know quite what to say. I’d toiled so long over a particularly painstaking typeface project that I guess I needed a good, wild ride to shake out the head cramps, or something. Whatever grabbed me, it forced me to sit down and create another face as fast as I could, directly in my main font-development application. Took less than two hours to finish the regular character set. No way to explain it, but the exercise actually paid off—I think. And now that there was Speed Bump, there simply had to be a companion dingbat set. The 
