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“These are fantastic fonts, and I appreciate that your company offers a trial download (minus the "e") so I could sell these fonts to my client.”
—L.A., Woodinville WA
“Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow.”
—A.T., Ontario, Canada
“Your fonts are gorgeous, and in particular, your handwriting fonts are the best I've ever seen.”
—J.H., Witny, Oxfordshire, England
“I took one look at American Scribe and knew it was the Declaration of Independence before reading the ad copy. You captured it perfectly.”
—B.P., Marietta OH
“The Texas Hero font is fantastic and just what I have been looking for.”
—D.M., Mahwah NJ
“[Schooner Script is a] masterpiece.”
—A.D., Miami FL
“The Lamar Pen font is divine. We are using it on a novel set in the eighteenth century, and the author is ecstatic.”
—J.H., London, England
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I, uh, don’t know quite what to say. I’d toiled so long over a particularly painstaking typeface project that I guess I needed a good, wild ride to shake out the head cramps, or something. Whatever grabbed me, it forced me to sit down and create another face as fast as I could, directly in my main font-development application. Took less than two hours to finish the regular character set. No way to explain it, but the exercise actually paid off—I think. And now that there was Speed Bump, there simply had to be a companion dingbat set. The 
