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“This is a fantastic resource and the fonts are beautiful!”
—C.B., Bethesda MD
“The Texas Hero font is fantastic and just what I have been looking for.”
—D.M., Mahwah NJ
“All [these] typefaces are wonderful, romantic creative fonts which no serious designer could possibly overlook.
—G.H., London, England
“Thanks so much for the great service and wonderful typefaces!”
—S.F., Evanston IL
“[Treefrog] is a real mess and breaks all the rules and I love it.”
—P.M., Palatine IL
“Oh! I'm in loooove with [Lamar Pen]! It's lovely, it's organic, it's real, it's got history & tradition. My designs are singing!”
—C.C., Palo Alto CA
“[American Scribe] may be the greatest font ever! Everyone on the planet should have it!”
—M.P., Boulder CO
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It hit me one day that the ’60s-vintage labelmaker I found in the back of a drawer might make an interesting display face. I began playing around—squeezing out letters at various pressures, scanning the results, going over the scans in a vector-graphics app. Looked pretty good. To my chagrin, however, I soon after got a glimpse of someone else’s label-tape font. Though modeled after a more modern device, its rocketing popularity prompted me to set Chromosome aside for a year or so. Finally finished it up in late-1995. The full release has light and heavy weights, regular and reversed styles. US$39.
