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“You have maintained a level of quality in the design of your various fonts that rivals the best foundries.”
—G.V., Salem OR
“All [these] typefaces are wonderful, romantic creative fonts which no serious designer could possibly overlook.”
—G.H., London, England
“These are fantastic fonts, and I appreciate that your company offers a trial download (minus the "e") so I could sell these fonts to my client.”
—L.A., Woodinville WA
“This is a fantastic resource and the fonts are beautiful!”
—C.B., Bethesda MD
“There's a fair number of what I call 'scrawl' faces out there. [Treefrog] is one of the very few I really like.”
—P.M., Palatine IL
“The Texas Hero font is fantastic and just what I have been looking for.”
—D.M., Mahwah NJ
“Your period-style handwriting fonts remain the very best I've ever found. Thanks for your most excellent contributions to American typography!”
—A.L., Los Angeles CA
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It hit me one day that the ’60s-vintage labelmaker I found in the back of a drawer might make an interesting display face. I began playing around—squeezing out letters at various pressures, scanning the results, going over the scans in a vector-graphics app. Looked pretty good. To my chagrin, however, I soon after got a glimpse of someone else’s label-tape font. Though modeled after a more modern device, its rocketing popularity prompted me to set Chromosome aside for a year or so. Finally finished it up in late-1995. The full release has light and heavy weights, regular and reversed styles. US$39.
