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“The Lamar Pen font is divine. We are using it on a novel set in the eighteenth century, and the author is ecstatic.”
—J.H., London, England
“There's a fair number of what I call 'scrawl' faces out there. [Treefrog] is one of the very few I really like.”
—P.M., Palatine IL
“I've never seen anyone digitize old quill-pen handwriting [like Schooner Script], warts and all. You've done a fine job.”
—R.W., Costa Mesa CA
“I happened across your website completely by accident, and I was astounded by the fonts I found there. They are amazing.”
—M.S., Ontario, Canada
“I have never encountered such fine and detailed work in a handwritten font before. I heartily applaud your attention to detail and historical accuracy.”
—J.W., Seattle WA
“I took one look at American Scribe and knew it was the Declaration of Independence before reading the ad copy. You captured it perfectly.”
—B.P., Marietta OH
“This is a fantastic resource and the fonts are beautiful!”
—C.B., Bethesda MD
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Eleonora tends to defy standard categories. Had the typeface been designed in about 1790, it might’ve been called a “late transitional face” and lumped together with Bell and Bulmer. But it’s a modern typeface, showing more restraint in its finer details than even Baskerville. Also noteworthy: it has no traditional, script-like italic but a more severe oblique with baseline serifs and other roman features. Has regular, oblique, bold, and bold oblique styles. US$85.
