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“[American Scribe] may be the greatest font ever! Everyone on the planet should have it!”
—M.P., Boulder CO
“I have never encountered such fine and detailed work in a handwritten font before. I heartily applaud your attention to detail and historical accuracy.”
—J.W., Seattle WA
“I'm always on the lookout for handwriting fonts that look more like handwriting than fonts. I've always relied on Texas Hero, Schooner Script, and Emily Austin and was very happy to see Lamar Pen and American Scribe.”
—A.L., Los Angeles CA
“I think [Texas Hero] is amazing. It is incredibly beautiful and in my opinion looks very authentic.”
—E.H., Brookline MA
“There's a fair number of what I call 'scrawl' faces out there. [Treefrog] is one of the very few I really like.”
—P.M., Palatine IL
“Your period-style handwriting fonts remain the very best I've ever found. Thanks for your most excellent contributions to American typography!”
—A.L., Los Angeles CA
“Well done on preserving the old ways of writing—they wrote and spoke so much nicer than we do now.”
—A.K., Adelaide, S. Australia
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Eleonora tends to defy standard categories. Had the typeface been designed in about 1790, it might’ve been called a “late transitional face” and lumped together with Bell and Bulmer. But it’s a modern typeface, showing more restraint in its finer details than even Baskerville. Also noteworthy: it has no traditional, script-like italic but a more severe oblique with baseline serifs and other roman features. Has regular, oblique, bold, and bold oblique styles. US$85.
