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“This is a fantastic resource and the fonts are beautiful!”
—C.B., Bethesda MD
“The fonts are just gorgeous. Always a thrill to find a great company with superior merchandise.”
—D.B., St Paul MN
“Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow.”
—A.T., Ontario, Canada
“The fonts you offer are quite unique and beautifully done.... Your site and ecommerce process was also a pleasure to view and to use.”
—R.M., Newbury NH
“I have never encountered such fine and detailed work in a handwritten font before. I heartily applaud your attention to detail and historical accuracy.”
—J.W., Seattle WA
“Thanks so much for the great service and wonderful typefaces!”
—S.F., Evanston IL
“These are fantastic fonts, and I appreciate that your company offers a trial download (minus the "e") so I could sell these fonts to my client.
—L.A., Woodinville WA
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Eleonora tends to defy standard categories. Had the typeface been designed in about 1790, it might’ve been called a “late transitional face” and lumped together with Bell and Bulmer. But it’s a modern typeface, showing more restraint in its finer details than even Baskerville. Also noteworthy: it has no traditional, script-like italic but a more severe oblique with baseline serifs and other roman features. Has regular, oblique, bold, and bold oblique styles. US$85.
