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“I'm a collector of 19th century antiques and photographs, and like to make labels and scrapbooks using fonts that fit the period of my items. I've even tried to learn the penmanship myself using dip pens... your fonts will make it so much easier!”
—P.M., Palatine IL
“You have maintained a level of quality in the design of your various fonts that rivals the best foundries.”
—G.V., Salem OR
“This is a fantastic resource and the fonts are beautiful!”
—C.B., Bethesda MD
“I'm always on the lookout for handwriting fonts that look more like handwriting than fonts. I've always relied on Texas Hero, Schooner Script, and Emily Austin and was very happy to see Lamar Pen and American Scribe.”
—A.L., Los Angeles CA
“[Treefrog] is a real mess and breaks all the rules and I love it.”
—P.M., Palatine IL
“There's a fair number of what I call 'scrawl' faces out there. [Treefrog] is one of the very few I really like.”
—P.M., Palatine IL
“These are fantastic fonts, and I appreciate that your company offers a trial download (minus the "e") so I could sell these fonts to my client.”
—L.A., Woodinville WA
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Eleonora tends to defy standard categories. Had the typeface been designed in about 1790, it might’ve been called a “late transitional face” and lumped together with Bell and Bulmer. But it’s a modern typeface, showing more restraint in its finer details than even Baskerville. Also noteworthy: it has no traditional, script-like italic but a more severe oblique with baseline serifs and other roman features. Has regular, oblique, bold, and bold oblique styles. US$85.
