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“You have maintained a level of quality in the design of your various fonts that rivals the best foundries.”
—G.V., Salem OR
“Thanks so much for the great service and wonderful typefaces!”
—S.F., Evanston IL
“This is a fantastic resource and the fonts are beautiful!”
—C.B., Bethesda MD
“I took one look at American Scribe and knew it was the Declaration of Independence before reading the ad copy. You captured it perfectly.”
—B.P., Marietta OH
“The fonts you offer are quite unique and beautifully done.... Your site and ecommerce process was also a pleasure to view and to use.”
—R.M., Newbury NH
“Keep up the fonts! They are some of the best I have seen in 10-plus years of design.”
—M.O., Little Rock AR
“Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow.”
—A.T., Ontario, Canada
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Eleonora tends to defy standard categories. Had the typeface been designed in about 1790, it might’ve been called a “late transitional face” and lumped together with Bell and Bulmer. But it’s a modern typeface, showing more restraint in its finer details than even Baskerville. Also noteworthy: it has no traditional, script-like italic but a more severe oblique with baseline serifs and other roman features. Has regular, oblique, bold, and bold oblique styles. US$85.
