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Patricia Lillie Fonts Sluggo™ ($89)

Copyright: ©1998 by Patricia Lillie Fonts
Designer: Patricia Lillie
Includes: Sluggo Regular ($29), Sluggo Lefthook ($29), Sluggo Righthook ($29), Sluggo Open ($29), Sluggo Black ($29)
Packages: Patricia Lillie Collection, Offbeat Collection
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Styles:  Regular  | Lefthook  | Righthook  | Open  | Black 

(To view full character sets, visit individual styles above—or click .)

Sluggo

Sluggo”When I first had the idea for Sluggo, a loose, 3D-ish face with the look of a slightly sloppy brush line, I thought it would be a fairly quick and easy project. Silly me. It turned out to be one of the toughest faces I’ve designed. Each character was drawn and redrawn directly in Fontographer using a stylus and pressure-sensitive tablet. It took about 50 versions of each glyph to get both the shape and line to what I wanted. Then, of course, each had to be painstakingly cleaned up and made usable in a font (printer crashes are a drag). Many months later, Sluggo was finally finished (so much for quick!). All in all, I’m pretty pleased with it. Has five styles: Regular, Lefthook, Righthook, Open, and Black. And you can stack them for special effects.” US$89.

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Historical Script and Text Fonts
Historical Fonts
RANDOM SIGHTING:
Emily Austin

KIND WORDS:

“[American Scribe] is the 3rd font I have ordered from this foundry! Love them. Thanks for the good and authentic work!”
—V.B., BC, Canada

“[Treefrog] is a real mess and breaks all the rules and I love it.”
—P.M., Palatine IL

“There's a fair number of what I call 'scrawl' faces out there. [Treefrog] is one of the very few I really like.”
—P.M., Palatine IL

“I have never encountered such fine and detailed work in a handwritten font before. I heartily applaud your attention to detail and historical accuracy.”
—J.W., Seattle WA

“I took one look at American Scribe and knew it was the Declaration of Independence before reading the ad copy. You captured it perfectly.”
—B.P., Marietta OH

“The Lamar Pen font is divine. We are using it on a novel set in the eighteenth century, and the author is ecstatic.”
—J.H., London, England

“You have maintained a level of quality in the design of your various fonts that rivals the best foundries.”
—G.V., Salem OR

 

Historical type from Three Islands Press
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